How To Stop Background Music While Playing Video In Powerpoint
Music videos are the most remarkable works of art of the modern world. The MTV generation of the '80s and '90s watched middle-catching clips from the creative pioneers who launched the medium. Nowadays, artists strive to make videos that eclipse boundaries already broken in hopes of gaining attention.
More than music videos get released all the time, only just a select few accept been powerful enough to spark controversy, launch careers and withstand the examination of fourth dimension. These are some of the almost iconic music videos of all time.
Michael Jackson – "Thriller" (1983)
Michael Jackson's almost iconic video is a mini-movie that runs for xiv monstrous minutes. The spooky spectacle is an homage to sometime horror films mixed with camp and an unforgettable trip the light fantastic routine with a horde of zombies. It's Michael Jackson at his finest.
The video made "Thriller" an essential song for every Halloween party, and it lives on via the popular "Michael Jackson eating popcorn" GIF. It's and then iconic, in fact, that it's currently the only music video preserved in the Library of Congress' National Moving-picture show Registry.
Madonna's legendary musical career explores the complicated human relationship betwixt sex and religion, and no music video in her career meliorate illustrates her life'south work than "Similar a Prayer." The powerful video explored injustice in the prison house system, interracial dearest and spirituality.
It would be an understatement to say the video didn't cause controversy. Critics hailed it for its symbolic imagery, but family unit and religious groups were horrified. Fifty-fifty the Vatican condemned Madonna's video, criticizing its "blasphemous use of Christian imagery." In response, Pepsi notoriously canceled its multi-million dollar entrada that used the song.
Childish Gambino – "This Is America" (2018)
Gambino's rap/gospel video is a gripping meta estimation of the social injustices that have plagued African Americans for years. The artist seamlessly weaves through protestors, shooting sprees, police brutality, all the while sidetracked with a grouping of dancers fixated on the latest trip the light fantastic moves.
The internet spent weeks watching the video, attempting to decode its blink-and-you lot'll-miss-it symbolic imagery. Endless remember pieces later, the video cemented the vocal every bit a modern-day protest canticle against gun violence, police brutality and discrimination.
George Michael – "Freedom! 'ninety" (1990)
In 1990, George Michael was at the superlative of his game. His music videos were in heavy rotation on MTV, and his albums were selling out across the earth. But when information technology came time to make the video for "Freedom! '90," Michael had had enough of the pop music rat race.
He grew tired of the pressures of fame and wanted to take a step back from the spotlight. Instead of seeing George Michael, fans saw supermodels Naomi Campbell, Linda Evangelista and Cindy Crawford singing his vocal, as symbols of the pop fable burned in flames.
Missy Elliot – "The Rain (Supa Dupa Wing)" (1997)
When information technology comes to outrageous music videos, no one comes shut to Missy Elliot. She combines surrealist visuals with colorful wardrobes and gravity-defying dance routines. She has a catalog of amazing choices, but her breakout video, directed past Hype Williams, remains the rapper's well-nigh iconic of all time.
In the video, Missy sported her glittered helmet spectacles and patent leather blow-upwardly suit, as well lovingly referred to as her "trash handbag bubble." The video too filled the screen with neon landscapes, pelting dancing in Timberland boots and countless celeb cameos.
Beyoncé — "Single Ladies (Put a Ring on It)" (2008)
"Single Ladies" had no costume changes, no gear up changes and very simple choreography. It sounds like a recipe for something boring, only the less-is-more approach made Beyoncé's moves nil curt of captivating. Fans across the world went wild over the trip the light fantastic toe, and many wannabes uploaded their own versions on YouTube to the delight of viewers.
Beyoncé went on to win big at the 2009 MTV Video Music Awards, snagging the coveted Video of the Year accolade. However, she lost the Moonman for Best Female Video to Taylor Swift, prompting a very drunk Kanye Westward to interrupt Swift during her acceptance spoken communication on Beyoncé'southward behalf.
Peter Gabriel – "Sledgehammer" (1986)
Gabriel'southward "Sledgehammer" was a trippy bout de strength. In the video, the British rocker danced his way through playful vignettes of claymation, pixilation and cease-motion animation. In reality, he had to lie under a sheet of glass for 16 hours so they could motion picture the video one frame at a time.
His efforts paid off. The video was a marvelous display of creativity, weaving through crazy scenes seamlessly. It went on to win 9 MTV Video Music Awards in 1987, the near awards a video has ever won.
Nine Inch Nails – "Closer" (1994)
This creepy clip took identify in what can only be described as a 19th-century dr.'s role with a touch on of S&1000. Nine Inch Nails frontman Trent Reznor found himself blindfolded, gagged, windswept, handcuffed and surrounded by various dismembered animals.
The video was too explicit for TV, and then several scenes were blocked by a blackness screen that read "Scene Missing." The video was later voted number ane in a VH1 Classic poll for "The Greatest Music Videos of All Time."
Janelle Monáe feat. Grimes – Pynk (2018)
Monáe doubled down on self-dearest and female empowerment at the coolest desert party of all time. In the 2018 video for "Pynk," women were safe to exist themselves — and men weren't necessary. The queer representation and anatomically-diverse lady pants were a visual breath of fresh air.
The video premiered around the time Monáe came out as pansexual, which was a large moment for the very private singer. For that reason, the video's visuals and message fabricated the song an anthem for lesbian, bisexual and queer-identifying women.
The Smashing Pumpkins – "This evening, This night" (1996)
The Nifty Pumpkins commonly made heavy metal goth rock, but this vocal was different. "Tonight, Tonight" was an orchestral, climactic carol with a video that harkened back to the silent film era.
The video's primitive effects and turn-of-the-century costumes were a surprising visual counter to the band's sound. It was a significant visual difference for the band, and it paid off in droves. Silent films were suddenly all the rage, and the band won six MTV Video Music Awards.
O'Connor took viewers through an emotional rollercoaster in her emotional Prince cover. The video more often than not consists of a closeup shot of her face up as she sang through her anger and sadness. Toward the end of the video, two real tears rolled down her cheeks.
The clip collected three Video Music Awards in 1990, including Video of the Yr. O'Connor inspired other artists, including D'Angelo and Miley Cyrus, to expect into the photographic camera for their music videos, merely goose egg compares to Sinéad's devastated gaze all these years later.
OK Become – "Here It Goes Once more" (2006)
OK Go made a proper noun for themselves in the early on 2000s with their low budget viral videos. Their first video for "Here Information technology Goes Once again" was a complex dance routine on treadmills performed in one take. It was their first taste of virality and changed the music video game forever.
YouTube was becoming the side by side MTV, and musicians looking to brand a wave had to think fast. OK Go had the thought to create music videos with the intention of trending on the net. They kept the aforementioned formula intact for all their videos that followed.
A-ha – "Accept On Me" (1984)
A-ha made music video history thanks to the animation way known as rotoscoping. Animators describe over film footage frame past frame to produce realistic activeness with a drawing await. It sounds like a lot of work — and it is — but information technology paid off for the Norwegian synthpop band.
The video's romantic storyline and whimsical blitheness mode made MTV history. The group won half-dozen Moonmen at the 1986 Video Music Awards and clustered over 930 1000000 views on YouTube. Bands like Weezer and Paramore have created their ain video tributes using the iconic style.
Christina Aguilera, Lil' Kim, Pink, Mya and Lil Kim — "Lady Marmalade" (2001)
It'southward the ultimate pop music collaboration. These iv powerhouses joined forces with a lot of lingerie for a cabaret like no other. Like a circus on acid, each performer showed off tiny costumes, sultry dance moves and outrageous pilus and makeup.
The blend of hip hop, pop and French cabaret was a recipe for success. The video won the 2001 MTV Video Music Award for Video of the Year and the 2002 Grammy Honor for Best Pop Collaboration with Vocals.
2Pac feat. Dr. Dre – "California Love" (1995)
Burning Man meets Mad Max in 2Pac and Dr. Dre's futuristic homage to their home state of California. Filmed inside the bodily Thunderdome from Mad Max Beyond Thunderdome, the powerhouse rap duo threw a mail-apocalyptic rave in the desert for the video.
Everyone in this video's twisted time to come drove giant jeeps and wore steampunk armor. The sepia-toned, desert visuals brand the video await futuristic to this day, unless y'all've ever been to Called-for Man. Then information technology's just some other day at the Thunderdome.
Pearl Jam – "Jeremy" (1992)
Pearl Jam's "Jeremy" was a chilling illustration of loneliness and depression. The troubled pb, Jeremy, moved through frozen family unit members and classmates as the music intensified. Strobe lights flashed as words like "problem" and "ignored" appeared, pushing Jeremy to his breaking point.
In the video's unedited climax, Jeremy reached for a gun in his desk and shot himself. MTV restricted the most fierce parts from airing, and an alternative version was released. The video was yet powerful after the edits, but Pearl Jam stopped making videos for years post-obit the controversy.
Outkast – "B.O.B." (2000)
Outkast has and so many iconic music videos that information technology'southward difficult to pick merely one. "Miss Jackson" saw Andre 3000 and Big Boi save a firm from flooding as animals bounced their heads to the music. "Hey Ya!" offered a Beatles-style performance on live TV.
Simply none of Outkast's other videos compare to "B.O.B.," their hip hop opus on psychedelics. The rap duo celebrated their community while expressing their unique individuality. No i could mix technicolor bourgeoisie, bondage–clad Bond girls and gospel choirs quite like Outkast.
Michael Jackson and Janet Jackson – "SCREAM" (1995)
The iconic Jackson siblings hopped aboard a spaceship for a $7 million ride into history. The video for "Scream" earned the Guinness Book of World Records championship for the most expensive music video e'er made. The video gave Michael a chance to retaliate (angrily) against the media.
The spaceship featured a selection of rooms for the brother-sister duo to relax, but they had other plans. Instead, the Jacksons let out their aggressions and danced with a vengeance. Information technology was a complicated fourth dimension in the King of Pop's controversial career, and the video proved it.
Jamiroquai – "Virtual Insanity" (1996)
Jamiroquai's singer Jay Kay takes viewers on a ride with the virtually confusing dance sequence in music video history. Performed in a white room with a gray floor, Jay Kay sang the song every bit the floor appeared to move while the room stood withal.
Viewers and critics agreed that this was a stunning display of special effects. Jay Kay'southward bizarre dancing helped a piddling too. The video won four Moonmen at the 1997 Video Music Awards, including Video of the Year.
Sia – "Chandelier" (2014)
Before making it big as a pop vocalist, Sia was a talented songwriter for big-name acts like Rihanna and Katy Perry. Years afterward releasing her own indie music, Sia bankrupt through with k Forms of Fearfulness. The only trouble was she was agape of the attending.
Enter dancer Maddie Ziegler. Instead of Sia starring in her own video, the immature dancer donned a blond wig and danced through Sia's powerful song. The choreography fit the song perfectly, and Sia enjoyed the spotlight from a safe distance.
Nirvana – "Smells Similar Teen Spirit" (1991)
The song ushered in the grunge move, but the video for "Smells Like Teen Spirit" ushered in the look. First-time director Samuel Bayer took a typical high school concert and turned it into a total riot. What else would you look from a schoolhouse with cheerleaders sporting agitator symbols?
The grunge rock move paired well with a full general aloofness toward society, and the video exemplified that. In fact, the students shown in the video were actually bored after filming the video for several hours.
TLC – "Waterfalls" (1995)
The clouds. The water. Those matching pastel pants! TLC were aquatic muses with a alarm for the world in their iconic "Waterfalls" video. T-Boz'due south raspy voice offered two tales of gang violence and unsafe sex every bit viewers watched the stories unfold.
Not fifty-fifty Left-Eye's timeless rap could relieve the characters from making the incorrect decisions. By the end of the video, T-Boz, Left-Middle and Chili appeared liquified next to an bodily waterfall — and danced their way into '90s history.
Kendrick Lamar – "HUMBLE." (2017)
Lamar made music video history with the release of his spiritually charged video for "Humble." The video started with Lamar dressed like the pope, looking somber in a cathedral. He later on recreated Leonardo da Vinci's 15th-century painting The Final Supper, with Lamar, naturally, sitting in Jesus' chair.
In between religious visuals, Lamar played with coin, golfed in an underpass and stood surrounded by men on burn down. Critics hailed it equally a critique of society'due south focus on consumerism. Maybe nosotros should all "sit down and be humble."
Mariah Carey – "Honey" (1999)
Mariah Carey was topping the charts with her pristine image for years, but that came to a screeching halt in 1999. Something was different about the elusive chanteuse with the release of "Beloved." The squeaky clean singer spent the video diving in a bikini and dancing way more suggestively than ever earlier.
Carey was in the midst of divorcing her music executive husband, Tommy Mottola. The video was a provocative pivot for the diva and a not-and then-subtle nod to her divorce. In the video, she escaped captivity from a wealthy man's mansion and began the residual of her life as a free, liberated adult female.
Guns North' Roses – "November Rain" (1992)
The video for Guns 'N' Roses booming ballad "November Rain" featured the near rock n' curlicue wedding of all time. In the video, atomic number 82 vocalizer Axl Rose married his and then-girlfriend Stephanie Seymour, surrounded by gothic candles, cigarettes and hairspray.
Between shots of the wedding reception, viewers watched in loftier-def as the ring performed "live." The $1 one thousand thousand video ended in despair after ix cute minutes. Pelting poured down during the reception, which so segued into shots of Seymour's funeral. It's confusing, but still epic.
Rihanna & Calvin Harris – "Nosotros Found Dear" (2011)
Music videos depicting relationships gone incorrect are a dime a dozen. Notwithstanding, managing director Melina Matsoukas created a relationship rollercoaster ride. Rihanna fought, kissed and danced through her relationship with her boyfriend earlier leaving him in a pool of drugs and alcohol.
The video used visual cues from films like Trainspotting and Requiem for a Dream to emphasize their chaotic love. It won the Grammy Laurels for Best Short Form Music Video and the VMA for Video of the Year.
Queen – "Bohemian Rhapsody" (1975)
Earlier the regular release of music videos, at that place were promotional videos. Also known as "pop promos," the videos played on Goggle box stations when the bands couldn't be there to perform for the cameras. Queen specifically wanted to produce their video so they could avoid lip-syncing to their song on Peak of the Pops.
It turned into more than than a performance prune of the band; it was an creative argument. The video is one of the main catalysts for the creation of MTV and the cosmos of music videos at large. Information technology currently has more than than one billion views on YouTube.
Luis Fonsi feat. Daddy Yankee – "Despacito" (2017)
Before the video was filmed, Fonsi had some requests. Commencement, he wanted 2006'southward Miss Universe, Zuleyka Rivera, bandage to represent "the power of a Latina adult female." Next, he wanted the video to celebrate Latin American culture and dilate the song'south soul accurately.
He nailed it. The video perfectly captured the beauty of San Juan, Puerto Rico, and Fonsi and Daddy Yankee serenaded the earth with their infectious hit. "Despacito" stands alone on YouTube with more than than half dozen.iv billion views, making it the most viewed music video of all time.
Prince – "When Doves Cry" (1984)
Doves, flowers and a smoking bathtub all inside the start 10 seconds? It must exist Prince. Wearing cypher simply a cross around his neck, Prince rose from his bathtub and stared into the camera, belongings his hand out for whoever wanted information technology.
The video featured Prince getting dressed to perform, mixed with scenes from his University Award-winning rock musical Regal Pelting. Information technology was i of the first clips to spark controversy for being too sexually explicit for Idiot box.
Bjork – "Large Time Sensuality" (1993)
This is the video that made Björk a household name, and the premise was simple: Moving-picture show Björk while she dances on the back of a truck in New York City. Uncomplicated or not, it was just baroque enough to make the video an MTV mainstay in 1993.
The focus was on her tight hairdo, bizarre dance moves and grandiose facial expressions. She was the otherworldly Icelandic pixie on full display in the Big Apple tree, and you could virtually feel her joy climb through the black and white clip.
David Bowie – "Ashes to Ashes" (1980)
In 1980, music videos were still finding their footing. Almost videos at the time showed bands performing their songs as if they were on another stage. There weren't a lot of artistic special effects used yet. That is, of course, until Bowie got into the mix.
Bowie was already a creative legend, only music videos gave him the run a risk to push boundaries fifty-fifty further. The opulent, otherworldly clip cost more than $425,000 to make, making it one of the most expensive music videos of all time.
How To Stop Background Music While Playing Video In Powerpoint,
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